1965 - Le Bonheur

Varda, a former photographer, utilizes a palette that was revolutionary for 1965. The film is saturated with primary colors—vibrant reds, deep blues, and mustard yellows—reminiscent of Impressionist paintings by Renoir or Van Gogh.

Today, Le Bonheur is celebrated as a masterpiece of subversive cinema. It doesn't tell you how to feel; instead, it holds up a mirror to the terrifying ease with which we pursue our own contentment at the expense of others. It remains a vibrant, floral nightmare that lingers long after the credits roll. le bonheur 1965

Upon its release, Le Bonheur confused many who mistook its aesthetic beauty for an endorsement of François’s actions. However, viewed through a feminist lens, the film is a biting satire of the "ideal" male-centric life. Varda exposes the cruelty of a happiness that refuses to acknowledge the cost of its own maintenance. Varda, a former photographer, utilizes a palette that

The plot is deceptively simple. François (Jean-Claude Drouot), a handsome young carpenter, lives a blissful, idyllic life with his wife Thérèse (Claire Drouot) and their two children. Their life is a sequence of picnics and naps in the golden woods of Fontenay-aux-Roses. It doesn't tell you how to feel; instead,